the belter blog
tips, drops & belters
production tips, behind-the-sounds, and the stories behind every belterbox video.
arrangementrolling house rolls because of what's off the beat
the secret to that rolling house bounce isn't on the beat. it's everything you put in the gaps between the kicks.
read the belter
chordshow to write that classic house chord progression (and make it slap)
the exact chords, 7ths and stab tricks behind that classic house progression you keep hearing.
arrangementtease the vocal, don't drop it: vocal chops as tension
the full vocal isn't the payoff. the wait is. here's how to chop, tease and withhold it so the drop...
chordshow to make piano house that actually slaps
real piano house moves: chords, voicings, swing and the mix tricks that turn a flat stab into a belter.
bassthere are no rules: throw echo on your bassline
they say never echo your bass. here's why breaking that rule slaps, and how to do it without the mud.
arrangementstop layering every note of your bassline
a no-filler guide to making your bassline hit harder by playing fewer notes and leaving space for the kick and...
drumsbusy bass = simple drums: balancing groove density in house
busy bass wants simple drums. simple bass wants busy drums. count the gaps, trade the density, and watch your groove...
drumsthe percussion trick every producer needs
the secret to that rolling house bounce isn't on the beat. it's everything you cram into the gaps between the...
arrangementpull everything back and the drop hits twice as hard
your drop isn't weak. the bit before it is too loud. here's how pulling everything back makes the next section...
groovemake your loop breathe: micro note-length & timing tricks
your loop is technically perfect and dead boring. here's how note length and micro-timing fix that.
chordsroot + 3 + 7 + 10: the only house chord recipe you need
four numbers (root + 3 + 7 + 10) build that warm house chord in any key. here's what they...
compressionstop compressing your drums to death
more compression isn't more punch. here's how attack, release, parallel comp and glue make your drums hit harder, not flatter.
